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FINISHING STROKE
In 1943, reportedly, the cousins earned over $50,000 a piece per year, mostly from the radio adventures. Manny and Kaye moved to a charming old rented house at 5 Canon St.,Norwalk (Conn.)where they lived with his two daughters by his first wife, Kaye's daughter (Anya) by her first husband and their own newborn daughter Christopher Rebecca. Fred and Mary still lived in Great Neck but Mary had cancer and was bedridden at home. Fred is remembered as keeping to himself and collecting stamps (of animals and ships). During 1943 some reruns were broadcasted and the cousins used the time to write The Murderer is a Fox (1945). In June of 1945 Mary Dannay was near death (she died that year) and Fred had to make arrangements for him and his two sons so he stuck to editing EQMM, some anthologies and the plotting of new Queen-novels. As they had previously done his work for radio was farmed out to Anthony Boucher. Boucher being a more religious man brought this aspect to the Queen persona...which was taken over by the cousins e.g. in Ten Day's Wonder (1948). After Mary's death Dannay sold his house and bought another on Carroll Street, Brooklyn, Mary's sister and her husband moved in to take care of the boys. Fred dealt with his grieve as only a workaholic could. In 1947 he remarried Hilda Wiesenthal (related to Simon Wiesenthal!), widow of a doctor Isadore Silverman who died in the Battle of the Bulge in World War II, and they bought a small home in the quiet Larchmont on 29 Byron Lane. In April of 1947 as the radiodrama moved to Los Angeles, Manny and his family went along. During the 1947-48 series Kaye Brinker stepped in to play Nikki Porter. But the series came to an end and the family returned to the east coast making home in suburban Connecticut, first in Westport later in Roxbury.
On a 63 acre estate Manny raised
his children, looked after his animals and collected stamps, medals and records. He
worked in his study in a converted colonial schoolhouse on his grounds. The cousins
at their writing-peak then wrote Ten Day's
Wonder (1948), Cat of Many Tails (1949)
and Origin of Evil (1951)
After Lee married the cousins rarely visited each other. As they
frequently phoned each other their writing methods were unorthodox.
Unlike many detective writers who habitually start with the solution of
the crime and work backwards, Dannay and Lee begin most any place,
developing their plots from such random starting points as an
exceptionally unusual clue, a remarkable suspect or a strange background. The
Queen collaboration evolved over time. "Clash of personalities is good for the
ultimate product. And we fight like hell. Were not so much collaborators as
competitors. Its produced a sharper edge."(Schenker) According
to Dannay, "we tried every form of collaboration known to man" before they
settled on a system that suited them. They refused to discuss their system, but in years
since, their
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![]() In 1958 the wrote their 'Finishing Stroke' intended it to be their last and closing off a period. Fred sold his collection of shortstories to the University of Texas and even for two semesters found himself on campus as a professor of creative writing. The following period was one where mostly they made money from their creation, 'new' stories were often revamped old ones or ghostwritten by others. This fourth series of Ellery Queen stories indicates that the author is still willing to experiment with the strict deductive tradition. It tended to return to puzzle ![]() In the late 60s Manfred suffered a series of heart attacks which forced him to lose a great deal of weight. Furthermore among other psychological ailments he suffered writer's block. Science-fiction writers Theodore Sturgeon and Avram Davidson were brought in uncredited to turn the Dannay outlines into new Queen novels.The other non-Queen novels who were farmed out and revised by Lee only added to the confusion.
On April 3, 1971 Lee died of another attack on the way to the hospital in New Milford.
Fred wanted to continue writing Queen novels either alone of with someone else but faith
hadn't forgotten him. In 1972 his second wife Hilda
also died of cancer and now Fred,
who had diabetes, also
started to die. Still editing EQMM kept him going on, he met Rose Koppel, a widowed
artist and they were married in November 1975. She saved him
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